‘Honey Do not!’ overview: Sleazy crime caper is a scorching mess — simply as meant

“Honey Don’t!” is a smutty desert thriller by which the detective, Honey O’Donohue (Margaret Qualley), by no means will get round to fixing the central crime. She’s too busy seducing girls and swatting down randy males. I’d name the opening homicide a crimson herring besides it’s actually extra like a fish left to prepare dinner within the blinding Bakersfield solar.

The second movie co-written by Ethan Coen and his collaborator and spouse Tricia Cooke (the primary was 2024’s “Drive-Away Dolls”), it’s much less preoccupied by the problem of who’s chargeable for that corpse than by its personal overarching query: Why not? Why not let Margaret Qualley show she has the electrical energy to energy an viewers by means of any plot? Why not pivot from “The Massive Lebowski” and “O Brother, The place Artwork Thou?” to an introduced trilogy of tatty lesbian exploitation photos? Why not, when a pair has earned the business clout to shoot the script they need with the solid they need, make precisely the film they need, even when this pulpy B-picture isn’t excellent? Who’s going to inform them, honey don’t?

To be clear, there’s sufficient to love in “Honey Don’t!” to get you thru its 89-minute operating time. I’d watch Qualley stride round barking at individuals for twice as lengthy and her supporting solid, which incorporates Aubrey Plaza as Honey’s newest lover and Chris Evans as an oily pastor, is delivering at high stage, i.e., Coen-worthy. (Newer expertise Josh Pafchek pockets his scenes as a moronic Australian brute.) The script has a number of zingers which might be so good you wish to applaud proper in your seat, significantly an insult Honey slings at her estranged daddy (Kale Browne). Even the prolonged intro credit have a witty power that makes you forgive that they’re faucet dancing to pad the size.

Nonetheless, as with the sillier “Dolls,” which additionally starred Qualley as a hot-to-trot queer queen, the movie is so shaggy that it feels longer than it’s. I completed each films double-checking my watch in astonishment that they actually have been below an hour and a half.

Qualley’s Honey is a headstrong investigator who’s so unbiased, she refuses to let her secretary (Gabby Beans) make her a cup of espresso. Frankly, she’s not that spectacular as a personal dick. Honey is barely passingly curious why a shopper died earlier than their first assembly and so predominately distracted by tangental aspect quests — her troubled teen niece (Talia Ryder), her dalliances with Plaza’s husky woman cop — that the decision doesn’t contain a lot sensible deduction. We all know from the primary scene that Honey must preserve an in depth eye on a mysterious stranger named Cher (Lera Abova). Finally, the French femme fatale catches her consideration for different causes.

Throughout city, the corrupt Reverend Drew (Evans) is swaying his parishioners to sleep with him within the title of godly submission. “I wish to see your bosoms jouncing throughout fellowship,” he instructions a member of his flock. The preacher is without doubt one of the greatest sinners in Bakersfield, not merely as a result of each he and Honey might as properly be utilizing the cellphone e-book as a guidelines of conquests. A traditional thriller would body their dynamic as cat versus mouse. Right here, it’s extra like plague and vaccine. Honey is proof against his gross sales pitches for heterosexuality and holy salvation.

Honey is a openly preposterous creation: a twenty first century girl who insists on utilizing a Rolodex, one thing that was headed towards extinction earlier than Qualley was even born. Striding by means of brush in seamed stockings and excessive heels — and altering wardrobe a number of occasions a day simply because she will be able to — she’s the one character who by no means breaks a sweat (besides within the bed room).

Qualley retains her cool from head to toe: eyebrows stern, line deliveries cucumber-crisp. Like a brassy basic dame, she says precisely what she means. When the native murder officer, Marty (Charlie Day), makes a cross at her, she bluntly replies, “I like women.” The man doesn’t pay attention — he simply retains pestering her — which makes their dynamic play like some type of clunky runner about how males are dense.

Marty’s pursuit is that. However Honey’s retort can be how the real-life Cooke shot Coen down the primary time her future husband requested her out on a date. Greater than something, it’s proof that “Honey Don’t!” primarily exists because the couple’s personal affectionate in-joke. “Tricia’s queer and candy and I’m straight and silly,” Coen mentioned final yr in an interview with the Related Press. Each describe their three-decades-plus marriage as “nontraditional.” Each additionally insist that they’re making these pulp flicks as a unit and don’t care who will get credit score for what, claiming that Coen is cited because the director of “Honey Don’t!” just because he’s the one within the DGA.

Coen is, in fact, half of one other twosome together with his brother Joel that additionally enjoys defying labels. Their filmography zigzags between thrillers and comedies, lean workouts and awards heavyweights, by no means making the identical film twice. It’s as if their guiding compass is to remain forward of viewers expectations. The pair has been on a inventive break since 2018’s “The Ballad of Buster Scruggs” and it’s been tempting to make use of their separate tasks as a possibility to look at who every sibling is as a person. If you happen to watched Joel Coen’s black-and-white “The Tragedy of Macbeth” in a double characteristic with “Honey Don’t!” you’d depart satisfied that the elder Joel was the stylist and the youthful Ethan the wit — that Joel wears a monocle and Ethan a grease-painted John Waters mustache.

However they may simply be tricking us once more. It’s simply as legitimate to say the brains behind these two films are William Shakespeare and Tricia Cooke, particularly the latter as she appears to have had the stronger hand in shaping the 2 attractive Qualley capers we’ve seen so far. (The third already has a title: “Go Beavers.”)

As sloppy as it’s, there’s no denying that “Honey Don’t!” works as a noir with a pleasing, peppery taste. But, there’s a snap lacking in its rhythm, a way that it doesn’t know when and the way its gags ought to hit. When a playboy (Christian Antidormi) swaggers as much as a bar and orders a shot of cinnamon schnapps, the road clangs prefer it landed higher on the web page. Just a few scenes later, a low-level drug vendor goes house to his Bolivian grandmother (Gloria Sandoval) who’s such a caricature — bowler hat, lap filled with dried chili peppers — that you simply suspect the character was designed to get extra of amusing. I did giggle when Honey visited her sister, a worn-out hausfrau named Heidi (Kristen Connolly), and youngsters saved coming out of the corners of her house one after one other like rabbits from a hat.

Nearly all of the townsfolk that Honey encounters are such incurious mouth-breathers that the humor can really feel hostile. The movie’s worldview is that most individuals are, as Coen describes himself, straight and silly. That’s labored out properly sufficient for him. He’s gained 4 Oscars and, extra importantly, the power to do no matter he darned properly pleases.