The duvet of Bernie Leadon’s new solo album is a vivid echo from his esteemed country-rock previous. Within the image, the singer-guitarist — and co-founding member of the Eagles — stands together with his guitar in profile on a hill overlooking the glowing lights of nighttime Los Angeles.
It’s a misty, romantic view Leadon bought to know effectively throughout his a few years within the metropolis, the place he helped create a style whereas a member of the Eagles, the Flying Burrito Brothers, Linda Ronstadt’s band and different rock combos with a weak point for music of melancholy and twang. The image was taken by photographer Henry Diltz for a never-completed Leadon solo venture 45 years earlier.
Utilizing it now on his just-released album, “Too Late To Be Cool,” isn’t supposed as an enormous assertion, he says. The musician merely at all times beloved the image, but it surely does replicate his lingering affection for a scene that took him world wide and to the highest of the music charts.
“It’s an homage to that time period and what was occurring right here creatively,” says Leadon, throughout a latest go to to L.A. from his residence in Nashville. “Round that point, within the late ’60s, early ’70s … a lot of these artists have been just like the Pied Pipers and doing what artists are presupposed to do — making social commentary, but in addition driving and steering the tradition. That was a singular second and a reasonably wonderful factor that occurred.”
Proper now, Leadon, 78, is visiting the workplaces of Warner Chappell Music in downtown L.A., the place he just lately signed a publishing deal that can assist unfold his new music by way of licensing and recordings by different artists. Again within the Eagles days, Leadon was recognizable for a tangle of curly hair and a handlebar mustache. Now, his head is shaved and the mustache has been gone since 1986.
Leadon’s new album was recorded in his private analog studio in Nashville, utilizing basic gear and 2-inch tape, with producer Glyn Johns, who produced the primary two Eagles albums, and a part of the third. Finishing the studio was a five-year venture.
(Wil Cohen / For The Occasions)
“Too Late to Be Cool,” launched independently by Straight Wire Information, is his first solo music in 20 years, and it displays the traditions he was a central a part of with the unique Eagles foursome: singer-drummer Don Henley, singer-guitarist Glenn Frey, singer-bassist Randy Meisner and himself.
Although not one of many Eagles’ main songwriters, Leadon co-authored the hit “Witchy Lady,” a tune he initiated whereas nonetheless within the Flying Burrito Brothers. Henley helped end it, and the tune reached No. 9 on the Billboard singles chart, the band’s first Prime 10 hit.
The Eagles have been hitmakers from its 1971 debut, then struck a deep business nerve with the compilation “Their Best Hits 1971-1975,” which now stands because the bestselling album within the U.S. of all time, with gross sales of 38 million copies. (Michael Jackson’s “Thriller” is now No. 2.) The report collected songs from the band’s first 4 albums, the years Leadon was a member.
Throughout his years in L.A., he lived in Topanga Canyon, then moved together with his younger household to Pacific Palisades. The day earlier than this cease at Warner Chappell, Leadon visited the placement of his former residence, now a smash from this yr’s apocalyptic wildfires. “It’s only a gap within the floor,” he says grimly. “The hedges are nonetheless there, however the hedges are burned. The eucalyptus tree is there, but it surely’s all scarred. However then down beneath you’ll be able to nonetheless see the ocean and the surf coming in.”
Just a few months earlier, he wrote a tune for his previous neighborhood known as “Requiem for a Village.” The unreleased tune shouldn’t be solely an indication of his grief over the remnants of his previous neighborhood, however exhibits Leadon as soon as once more impressed to precise himself by way of songwriting.
On “Too Late to Be Cool,” the title tune is a gently driving monitor, mixing acquainted textures from the early Eagles with a little bit of Creedence Clearwater Revival, as Leadon sings of renewed spirit and goal. “The primary verse is about perhaps reconsidering a few of my assumptions and making a call to cease following the gang,” he explains. “Then it simply talks about getting in movement.”
Different tracks embody “Only a Little,” strutting to a Rolling Stones-ish riff, and the bluesy, moody “Go on All the way down to Cellular,” with a short however searing guitar solo that’s recognizably his.
The album was recorded in Leadon’s private analog studio in Nashville, utilizing basic gear and 2-inch tape, with producer Glyn Johns, who produced the primary two Eagles albums, and a part of the third. Finishing the studio was a five-year venture.
“I went from writing perhaps two or three songs a yr that I needed to maintain to perhaps 12 or extra,” Leadon says. “When Glyn Johns bought concerned, I pared it all the way down to 30, after which helped pare it down to fifteen. We recorded 14, 15 and pared that all the way down to 11. So it’s a culling course of. That was all loads of enjoyable. I like being within the studio, and I like writing.”
The brand new album was recorded with a gaggle of Nashville gamers: keyboardist Tony Harrell, drummer Greg Morrow and bassist Glenn Worf.
“Nashville has actually spectacular musicians, who’re very empathetic, extremely expert,” Leadon says. “We get the sounds quick. First, second, third take often is it. So it’s contemporary, and 4 guys sitting in a room taking a look at one another, prefer it was once I first did classes in L.A.”
Songs have been recorded with all musicians collectively within the studio. “That’s how all the nice information that all of us love from the ’60s, ’70s and after have been often made — all people within the room taking a look at one another. And every take can be completely different as a result of that man did one thing completely different, so, ‘Oh, I’m gonna react to that.’ That ends in a freshness to the recording. Individuals can really feel it.”
At Warner Chappell, Greg Sowders, senior vice chairman of A&R, says Leadon has a particular historical past and sound that continues to be related throughout a number of music genres.
Bernie Leadon, from left, Glenn Frey, Don Henley and Randy Meisner of The Eagles pose for a gaggle portrait in London in 1973.
(Gijsbert Hanekroot / Redferns through Getty Photographs)
“Most individuals by no means write any hits, not to mention songs that change standard music, which definitely defines him as a participant and a author,” says Sowders. “From Dillard & Clark to the Burritos, to the Eagles, he truly helped invent a style.”
Leadon was a part of a country-rock motion that started years earlier than the Eagles, with connections to the people revival within the late Fifties, early Sixties that flourished earlier than the arrival of the Beatles. And because the ’60s rolled on, pioneering acts like Rick Nelson & the Stone Canyon Band and former Monkees member Mike Nesmith’s First Nationwide Band moved into a brand new country-rock sound.
The Byrds, with the addition of country-rock icon Gram Parsons, made an enduring mark in 1968 with “Sweetheart of the Rodeo.” Although now thought of a basic, the album started as a business failure. When Parsons and the Byrds turned up on the Grand Ole Opry, they weren’t well-received.
“As a result of that they had lengthy hair,” suggests Leadon with a understanding smile. “Gram was very reverential concerning the Opry stars, however the viewers wasn’t prepared for it. After all, a number of years later, all people had lengthy hair, and then you definitely had Southern rock.”
At about the identical time, Leadon joined Dillard & Clark, a band led by former Byrds singer Gene Clark and bluegrass banjo participant Doug Dillard (of the Dillards).
Leadon was quickly within the Flying Burrito Brothers, working alongside Parsons, who stayed round lengthy sufficient for one album, 1970’s “Burrito Deluxe.” The band additionally performed at Altamont, the Stones-led free competition outdoors San Francisco infamously marred by violence. He remembers it as “the antithesis of Woodstock.”
After a yr within the Flying Burritos, Parsons left the U.S. to affix the Rolling Stones within the South of France, the place the band was recording “Exile on Primary St.” He invited Leadon to return alongside. Leadon recollects with a smile, “I mentioned, ‘Properly, Gram, it’s fascinating, however I don’t have a belief fund such as you do, so I’m not self-funded like you’re. I gotta maintain working, buddy. So goodbye.’”
The final time Leadon noticed the singer-songwriter was when he performed a session for a Parsons solo album. Just a few days later, Leadon and the Eagles left for London to report once more with Johns. “Once we bought to England to start out the third album, Gram Parsons had simply died, however I didn’t know till I landed,” he says. “It hit me arduous.”
Leadon wrote a tribute to his late buddy, “My Man,” for the 1974 album “On the Border.” The tune is a wistful ballad, with the added heat of some basic Eagles vocal harmonies, as Leadon sang: “He’d sing for the folks and other people would cry / They knew that his tune got here from deep down inside / You possibly can hear it in his voice and see it in his eyes.”
Leadon’s technology of country-rock artists ended up influencing not solely rockers but in addition mainstream nation artists. Lengthy after the Eagles breakup, a 1993 tribute album, “Frequent Thread: The Songs of the Eagles,” included covers of the group’s best-loved songs as recorded by the likes of nation stars Travis Tritt, Brooks & Dunn, Trisha Yearwood and Vince Gill (later a touring member of the Eagles).
Founding Eagles guitarist Bernie Leadon sits for a photograph in Los Angeles on Sept. 4.
(Wil Cohen / For The Occasions)
Because the band soared in recognition through the first half of the last decade, the touring schedule grew extra demanding, and new tensions emerged. Leadon lastly left the Eagles after a falling out with Frey throughout a band assembly, although his exit wasn’t speedy.
“He was simply pontificating about his plans — ‘We’re gonna do that and we’re gonna try this,’” Leadon recollects of that gathering, “and I felt non-consulted. I used to be in a foul temper, impulsive. I poured a beer on his head. After all, he took exception to that. Then perhaps a month or two later, we had a heart-to-heart and I mentioned, ‘Yeah, I feel I ought to go.’ And he was like, ‘Yeah, I agree.’”
After the Eagles, Leadon saved working, and recorded a 1977 album, “Pure Progressions,” with guitarist-singer Michael Georgiades. He additionally performed on different artists’ albums, recruited for session work by producer Johns for information by Ronstadt, John Hiatt, Emmylou Harris and others.
The Eagles broke up in 1980, and Leadon remained largely estranged from Frey, although he and Meisner rejoined the band for its 1998 induction into the Rock & Roll Corridor of Fame. He wasn’t a part of the reunion excursions that started in 1994, however he was invited to affix the two-year “Historical past of the Eagles” juggernaut that started in 2013.
It took place because of reconnecting with Frey, which Leadon now credit to a letter he wrote to the band co-leader.
“I opened the door and apologized,” Leadon says, calling the 25 months of touring, plus two months of rehearsals, as a time of reconnecting with their shared previous. “On the final present, he gave me an enormous hug on the finish and mentioned, ‘It’s been nice having you out right here. This isn’t the tip.’ However it was for him, sadly.”
Frey died at age 67 from a number of illnesses, together with rheumatoid arthritis and ulcerative colitis.
As for the Eagles, he’s saved in contact, and calls his present relationship with the band “superb.” Just a few days in the past, he texted with Henley, and spoke with their supervisor weeks earlier than that. Whether or not Leadon is seen once more onstage with the band he co-founded, he solely says, “By no means say by no means.”
Regardless, the lasting influence of reuniting with the band continues to propel him now with new music. For the second, Leadon is again in motion.
“I’ve been retired a bunch of various instances,” says Leadon, who’s married with children and grandkids. “I even have discovered that it’s very useful to take time away from it as a result of it could actually get to be a grind, and who needs to burn out on the factor that you simply selected since you beloved it? As an artist, you’ve bought to go do extra dwelling earlier than you’ve got the rest to say.”
