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Home»Entertainment»In ‘All Her Fault,’ Sarah Snook and Dakota Fanning tackle mother guilt
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In ‘All Her Fault,’ Sarah Snook and Dakota Fanning tackle mother guilt

dramabreakBy dramabreakNovember 7, 2025No Comments8 Mins Read
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In ‘All Her Fault,’ Sarah Snook and Dakota Fanning tackle mother guilt
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This text comprises some spoilers for “All Her Fault.”

For Sarah Snook, having to go away her then-2-year-old daughter to go to work daily on the Peacock drama “All Her Fault” was, in a means, useful for her appearing course of.

Within the present, streaming Thursday, Snook performs Marissa Irvine, a Chicago businesswoman who goes to choose up her younger son Milo from a playdate and discovers not solely is she on the flawed home, however Milo was by no means there within the first place. The guy mother (Dakota Fanning) she thought was choosing him up from college has no thought what she’s speaking about, neither does the house owner, and Milo has gone lacking.

“It was helpful to form of use my daughter,” she says in a video name. “What wouldn’t it be prefer to have the scenario occur to me? I perceive that extra in depth now being a mother or father.”

However Snook might solely go thus far. She couldn’t image her daughter instead of Milo. If she had she would have simply determined to not work. “It’s too exhausting, it’s an excessive amount of,” she says.

Within the sequence, Dakota Fanning and Sarah Snook play working moms Jenny and Marissa.

(Peacock)

“All Her Fault” is a twisty eight-episode thriller with some gasp-worthy moments that takes its depiction of motherhood — and the blame ladies place on themselves when one thing goes awry — very critically. The title isn’t precisely correct because it applies to Snook’s character or Jenny, performed by Fanning, the opposite mother or father unwittingly drawn into this nightmare state of affairs.

“It can’t be simply her fault, that’s simply not attainable,” Snook says. “We discover what the psychological load is oftentimes for girls to tackle in a parenting function.”

Each these working moms fear they, above anybody else, bear the guilt for Milo’s disappearance — partly as a result of they care about their careers in addition to their kids. Marissa doesn’t double-check the quantity that knowledgeable her that Milo was having a playdate with Jenny’s son. In the meantime Jenny, a e book marketer, employed Carrie Finch (Sophia Lillis), the nanny who seems to be chargeable for the kidnapping.

That’s one of many causes creator Megan Gallagher was eager to adapt Andrea Mara’s novel for tv.

“Inside that materials was this maternal guilt and this discrepancy in home labor duties in heterosexual {couples} that, to me, is simply this large problem,” she says. “Each lady I do know, who’s roughly my age, is coping with this. Each lady I do know drops off their child in school and sobs within the car parking zone earlier than they make it to work.”

After years of taking part in the icy Shiv Roy on “Succession,” whose being pregnant within the remaining season finally looks like one other enterprise maneuver for her, Snook was drawn to Marissa, who does care about being a great mother or father.

“I wished to discover a character that was simply inherently heat,” Snook explains. “Shiv is in an identical form of world, however she’s inherently chilly. She needs to be heat however she will’t. Whereas Marissa is only a good, heat, pleasant one who has a maternal high quality naturally about her and sees somebody upset and goes, ‘I acquired you.’”

That’s how she initially meets Jenny. They bond, feeling mutually in poor health comfortable within the rest room at a faculty operate whereas, coincidentally, carrying the identical gown. After Milo goes lacking, Marissa might simply activate Jenny, however as an alternative they develop a deeper connection.

“It was very nice to painting the actually constructive points of feminine friendship,” Fanning says on a separate name. “I feel typically there may be tropes of the ladies pitted in opposition to one another.”

Two women standing across from each other near a bathroom sink.

Marissa (Sarah Snook) and Jenny (Dakota Fanning) bond after noticing they’re carrying the identical gown at a faculty operate.

(Sarah Enticknap / Peacock)

Marissa and Jenny have the form of bond that Fanning acknowledges in her personal life: “Truly actually supportive and loving and folks that you just lean on when occasions get robust versus flip in opposition to.”

For Snook, Marissa and Jenny’s connection is sort of elemental.

“That harks to Greek mythology or these historic tales,” she says. “Ultimately ladies simply form of have to stay collectively.”

Fanning, who doesn’t have kids, didn’t have the private experiences of motherhood to attract upon in her function, but it surely was not exhausting for her to think about the strain Jenny have to be below within the sequence.

“I’ve at all times wished to be a mom,” she says. “I’m somebody who put a blanket below my shirt and pretended I used to be pregnant at like 5 years previous. I’ve by no means questioned that I would like that.”

She provides she’s been in nurturing positions her complete life — to her youthful sister Elle, and to the daughters of her greatest buddy, who’re 5 and a couple of, as their godmother.

“I drew inspiration from individuals in my life, from my very own experiences, typically even the strain that I put alone mother as a 31-year-old daughter,” she says, laughing. “Some self-reflection of, hm, I could also be responsible of a few of these issues towards her as properly.”

A woman with long blond hair standing with her hands near her hairline.

Although not a mom herself, Dakota Fanning says she “drew inspiration from individuals in my life, from my very own experiences, typically even the strain that I put alone mother as a 31-year-old daughter.”

(Victoria Will / For The Instances)

On display, nevertheless, Jenny is as a lot outlined by her love for her baby, and help for Marissa, as she is for her dedication to her profession. She’s in the course of chasing a high-profile creator, a lot to the frustration of her husband Richie (Thomas Cocquerel), who shirks caretaking duties.

Gallagher says the writers spent a whole lot of time speaking about Jenny and her occupation.

“I actually like displaying that girls are unapologetically enthusiastic about their work, and that’s OK for us to like our work,” Gallagher says. “No one is meant to like their work greater than their very own kids, but it surely’s OK for our youngsters to not be sufficient and for us to wish work to be fulfilled.”

However that doesn’t imply that both Marissa or Jenny are portrayed as uncaring mothers. They’re each deeply dedicated to their sons.

“Often, after we painting ladies in media, if they’re profitable then they need to not be maternal,” Snook says. That stands in counter to Snook’s personal experiences, she provides.

“For me, personally, I really feel like my latest success and profession is considerably associated on to turning into a mom, due to the brand new views, the deepening of empathy, the power gained from expertise to go, oh no, I acquired this. I can actually belief myself on this choice and I can actually again myself right here.”

A woman in a dark sweater, brown tweed pants and brown high heels sits back in a white chair and lifts her leg up.

“Often, after we painting ladies in media, if they’re profitable then they need to not be maternal,” says Sarah Snook, who lately turned a mom.

(Victoria Will / For The Instances)

Snook additionally serves as an govt producer on “All Her Fault,” which was filmed in Melbourne, Australia, so she could possibly be close to her daughter and her stepson, who’s in class within the metropolis. Counter to many of the males on the sequence, Snook’s husband, actor Dave Lawson, was in a position to tackle parenting tasks, bringing their tot to set so they might play throughout lunchtimes.

“There have been toys on set as a result of I had a faux child on set,” she says. “There was a playground on set. She in all probability thinks that each set she goes to when she visits mum at work there’s at all times going to be a bit mini playground, and toys to play with and that’s not going to be the case, honey.”

Regardless of the depth of the fabric, Snook describes the “All Her Fault” manufacturing as a spot the place forged members have been joking and messing round to counteract the disappointment their characters have been enduring.

Equally, after a day in Marissa’s pores and skin, she had to ensure her personal work didn’t intervene together with her dwelling life. Snook was coping with the form of calculations that moms must make on a regular basis, the very factor the present itself is addressing.

“After we have been doing exhausting days at work and also you’re crying daily, the perfect factor to do is to go dwelling and provides your daughter a cuddle, as a result of all of the oxytocin and all that yumminess comes again,” she says. “It’s not helpful if mother comes dwelling and he or she’s whipping her again or attempting to remain on this character. To drop it’s actually helpful for me so that you could fill your cup once more.”

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