Lily Allen is again — and she or he’s bought one thing to say! After seven years away from the studio, the sharp-tongued storyteller of British pop has introduced her fifth album, ‘West Finish Woman’, due October 24 by way of BMG.
The document marks a daring new chapter for Allen, who final launched ‘No Disgrace’ in 2018. Written and recorded largely over a ten-day burst in Los Angeles on the finish of 2024, ‘West Finish Woman’ finds Allen turning her lens inward, exploring the messy center floor between reinvention and reflection.
“I’m nervous,” Lily admits. “The document is susceptible in a approach that my music maybe hasn’t been earlier than — actually not over the course of an entire album. I’ve tried to doc my life in a brand new metropolis and the occasions that led me to the place I’m in my life now. On the similar time, I’ve used shared experiences as the idea for songs which attempt to delve into why we people behave as we do, so the document is a combination of truth and fiction which I hope serves as a reminder of how stoic but additionally how frail we people will be. In that respect I feel it’s very a lot an album concerning the complexities of relationships and the way all of us navigate them. It’s a narrative…”
Produced by longtime collaborator Blue Could (Kano, Pleasure Cookes, Loyle Carner), alongside Seb Chew and Kito, the 14-track album traces the contours of recent womanhood via Allen’s signature mix of biting wit and emotional honesty. The classes stretched from Los Angeles to London and New York, giving the document a cross-continental pulse that mirrors the dislocation at its coronary heart.
Allen may’ve been quiet, however her echo bought louder. Billie Eilish recollects crying the primary time she heard ‘Smile’. Olivia Rodrigo — who invited Allen to carry out ‘Fuck You’ together with her at Glastonbury in protest of the U.S. Supreme Court docket — credit her with exhibiting “say what the fuck you need”. And PinkPantheress put it finest: “Allen made sounding like your self really feel cool”.
Regardless of placing her microphone down, Lily didn’t disappear — she merely switched spotlights. She took to the West Finish with acclaimed turns in 2:22 A Ghost Story and The Pillowman, earlier than embodying Ibsen’s doomed heroine in a fierce reimagining of Hedda Gabler. Past the stage, she reunited together with her finest pal Miquita Oliver for the award-winning podcast Miss Me, the place their candid conversations hit the identical nerve as Allen’s sharpest lyrics.
Now with ‘West Finish Woman’, Lily Allen returns to planet pop simply once we want her most. With its themes of affection, displacement, and self-rediscovery, the document feels just like the form of comeback solely Lily might pull off: a grown-up reckoning with the identical sharp edge that made her voice unimaginable to disregard practically 20 years in the past.
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