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Home»Entertainment»Rob Reiner’s greatest movies: ‘This Is Spinal Faucet,’ ‘A Few Good Males’ & extra
Entertainment

Rob Reiner’s greatest movies: ‘This Is Spinal Faucet,’ ‘A Few Good Males’ & extra

dramabreakBy dramabreakDecember 15, 2025No Comments7 Mins Read
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Rob Reiner’s greatest movies: ‘This Is Spinal Faucet,’ ‘A Few Good Males’ & extra
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Rob Reiner was born into the lineage of comedy because of his father, tv pioneer Carl Reiner, and he first gained recognition as an actor, together with his Emmy-winning position on “All within the Household.” And whereas there may be actually a streak of humor by way of nearly all of his movies, what marks Reiner’s work as a director is his astonishing versatility, capable of swap kinds from one venture to the subsequent with outstanding ease. The run of movies that begins together with his function directing debut, 1984’s “This Is Spinal Faucet,” on by way of 1986’s “Stand by Me,” 1987’s “The Princess Bride,” 1989’s “When Harry Met Sally…,” 1990’s “Distress,” 1992’s “A Few Good Males” and 1995’s “The American President” is solely breathtaking for its mastery throughout the spectrum of fashionable Hollywood moviemaking.

‘This Is Spinal Faucet’ (1984)

Harry Shearer, left, Christopher Visitor and Michael McKean within the film “This Is Spinal Faucet.”

(Archive Photographs / Getty Pictures)

Although not strictly the primary to discover the shape, Reiner’s first function as director roughly cemented the idea of the “mockumentary,” presenting itself as a documentary on the (fictional) rock band Spinal Faucet. Reiner appeared onscreen as Marty DiBergi, director of the fake film-within-the-film, forming a neat transition from his profession as an actor to director. And whereas this 12 months’s sequel “Spinal Faucet II: The Finish Continues” was not notably nicely acquired, the legacy of the unique, nonetheless among the many most quotable comedies ever made, stays untouchable. — Mark Olsen

‘The Positive Factor’ (1985)

Made amid the teenager intercourse comedy craze of the Eighties, Reiner’s second movie, about two faculty college students sharing a cross-country automobile journey collectively, had one thing particular and completely different about it — specifically the performances of John Cusack and Daphne Zuniga, who each introduced an openhearted tenderness to a narrative that may have toppled into cynicism. The emotional earnestness that might typically come by way of in Reiner’s work first emerged right here, making what might have been a run-of-the-mill train into one thing extra. — M.O.

‘Stand by Me’ (1986)

Four boys stand in the woods, noticing something.

Wil Wheaton, left, River Phoenix, Jerry O’Connell and Corey Feldman within the film “Stand by Me.”

(Columbia Photos)

Based mostly on a novella by Stephen King, “Stand by Me” is about 4 boys — performed by Wil Wheaton, Corey Feldman, Jerry O’Connell and River Phoenix — who discover their friendship examined throughout a very eventful Labor Day weekend of 1959. Approaching the story with a mixture of dewy nostalgia and incisive readability, the movie earned Reiner the primary of three nominations from the Administrators Guild of America. — M.O.

‘The Princess Bride’ (1987)

A man passionately embraces a woman in red on the grass.

Robin Wright and Cary Elwes within the film “The Princess Bride.”

(twentieth Century Fox / Kobal / REX / Shutterstock)

It will be inconceivable to not embrace “The Princess Bride” in any consideration of Reiner’s greatest, because the swashbuckling fantasy romance embodies a way of playful inventiveness and anything-can-happen ethos. An aged man reads a narrative to his grandson because the motion involves life within the story of a farm boy and a princess who’re fated to be collectively, if solely they will overcome all method of trials and challenges. The film has now enchanted a number of generations of kids and adults alike. — M.O.

‘When Harry Met Sally…’ (1989)

A woman in a hat and a man have a conversation in a New York City park.

Meg Ryan and Billy Crystal within the film “When Harry Met Sally…”

(Fort Rock Leisure)

As a lot as some other film, “When Harry Met Sally…” (scripted by Nora Ephron) has come to embody the trendy romantic comedy with its will-they-won’t-they story of two good pals who come to comprehend they might additionally work as one thing extra. Grounded by the charming performances of Meg Ryan and Billy Crystal, in addition to a powerful supporting forged together with Carrie Fisher and Bruno Kirby, the movie has a uncommon heat. It was Reiner’s mom Estelle who delivered the unforgettable punchline, “I’ll have what she’s having.” — M.O.

‘Distress’ (1990)

Kathy Bates and James Caan in "Misery."

Kathy Bates and James Caan in “Distress.”

(Archive Photographs / Getty Pictures)

Reiner named his manufacturing firm Fort Rock Leisure in honor of his deep love for Stephen King’s fiction, and after making a splash with “Stand by Me,” there was no approach he wasn’t going do one thing scarier as a observe up. (You get a touch in “When Harry Met Sally” — have a look at the hardcover Crystal is skimming.) King’s captive-author nightmare will get classed up by two knockout performances calibrated in excellent concord: Kathy Bates’ psycho fan, a flip that earned her an Oscar, and James Caan because the bedbound author. On the time, Caan was an actor in want of a second likelihood. Reiner was it. — Joshua Rothkopf

‘A Few Good Males’ (1992)

Two Navy officers have a showdown in a courtroom.

Jack Nicholson, left, and Tom Cruise within the film “A Few Good Males.”

(Mondadori Portfolio / Getty Pictures)

Reiner seemingly conquered one more film style with this tightly wound navy courtroom thriller and acquired his solely Academy Award nomination, for greatest image. Reiner was additionally acknowledged with nominations from the Administrators Guild, Producers Guild and Golden Globes for the movie. Written by Aaron Sorkin and that includes a forged that features Tom Cruise and Demi Moore, this has Jack Nicholson’s volcanic supply of the now-legendary line, “You may’t deal with the reality!” — M.O.

‘The American President’ (1995)

Michael Douglas and director Rob Reiner on the set of "The American President."

Michael Douglas and director Rob Reiner on the set of “The American President.”

(Archive Photographs / Getty Pictures)

A president as a romantic lead? Such issues really occurred in the course of the Clinton period. Reiner injects heat and realism to Sorkin’s swaggering unique script, loaded with wonky dialogue and walk-and-talks. Nevertheless it’s the cautious steering of Michael Douglas as a widowed U.S. chief and rising star Annette Bening as an extra-persuasive eco-lobbyist that distinguish this light comedy, one which appears positively alien to our present local weather. Broadly recognized for his vigilant activism in later years, Reiner was no much less optimistic in his onscreen politics. — J.R.

‘Rumor Has It’ (2005)

A woman and a man share a pitcher of beer.

Jennifer Aniston and Kevin Costner within the film “Rumor Has It.”

(Melissa Moseley / Warner Bros. Photos)

Not many would dare to tackle a sort-of sequel to a film as beloved as “The Graduate,” however Reiner introduced an informal ease to the story of a girl, performed by Jennifer Aniston, who believes her mom and grandmother had been the inspiration for Charles Webb’s unique supply novel. Although critiques on the time largely savaged the film, it now appears simply the type of confident studio comedy audiences yearn for, buoyed by Shirley MacLaine’s outrageous efficiency as a girl who could also be the true Mrs. Robinson. — M.O.

‘Albert Brooks: Defending My Life’ (2023)

Two men sit across a restaurant table.

Albert Brooks, left, and Rob Reiner within the documentary “Albert Brooks: Defending My Life.”

(HBO)

Reiner acquired two Emmy nominations for this documentary tribute to comic, actor and filmmaker Albert Brooks, a good friend of Reiner’s because the two met as youngsters at Beverly Hills Excessive. It’s captured as an expansive dialog with the 2 sharing a meal in a restaurant. As a lot because the movie is a portrait of Brooks, it additionally displays Reiner’s personal distinctive place as somebody who knew present enterprise and its ups and downs with a uncommon intimacy. — M.O.

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