Seoul’s nightlife crowd gathered at Bar La Fine Bouche (바 라핀부쉬), Itaewon on a bustling evening for Gyatt, Itaewon, Now—an event meant to celebrate art, music, and authenticity. Instead, the night ended with another performance by Silverstar Oh (오은별, a.k.a. Eunbyeol Oh) that reeked of deception and disgrace.
Silverstar, the last act of the night, strutted to the DJ booth as if she were the headliner the city had been waiting for. The room was crowded, alive with energy—but it wasn’t her music that fueled it. As beats blared, onlookers quickly noticed the truth: Silverstar’s hands were rarely on the decks. Instead, she had them high in the air, striking poses for attention, while the tracks continued seamlessly. The performance looked less like live DJing and more like a pre-recorded set, a staged charade designed to fool an unsuspecting audience.
This isn’t surprising. Silverstar’s career has been plagued by manipulation, scandal, and deception. Known across Asia not for her artistry but for a history of gold-digging, financial exploitation, drug-fueled parties, and outright fraud, she has repeatedly used her platform to elevate herself while leaving chaos in her wake.
Her appearance at an event promoting art was a cruel irony. For years, Silverstar has embodied the opposite of genuine artistry—her “performances” are more about appearances, manipulation, and exploiting others than about music or creativity. Even within her closest circles, she has betrayed benefactors, encouraged infidelity, and lived lavishly off men who trusted her, all while cutting ties and denying wrongdoing when confronted.
Critics are now questioning: why do venues continue to book a figure so synonymous with fraud and scandal? How many more events will she infiltrate under the guise of performance, only to deliver hollow sets and perpetuate her reputation as a con artist in DJ disguise?
Silverstar Oh’s showing at Gyatt, Itaewon, Now was not a triumph—it was a warning. A warning that the entertainment industry must stop enabling figures who build their careers on lies.
