Tamar Braxton requested her social media followers to “pray for me for actual” as she recovers from a mysterious and bloody weekend accident.
The singer and actuality TV star opened up about her newest well being scare in an Instagram story shared Tuesday, writing, “I nearly died Sunday.”
“I used to be present in a pool of blood [by] my buddy with a face damage. As the times go by the more severe it’s,” she wrote. “I fractured my nostril, misplaced some enamel and mobility.”
Braxton didn’t share further details about the weekend incident, however stated it prompted her to undertake a “completely totally different” perspective on life. As she takes time to heal, Braxton additionally wrote “my psychological well being journey begins.”
The 48-year-old entertainer concluded her Instagram announcement: “I don’t even know what occurred to me.”
A supervisor for Braxton, who started her profession in R&B alongside 4 of her sisters together with oldest sister Toni Braxton, addressed the “Braxton Household Worth” star’s regarding publish in their very own Instagram story shared Tuesday. Supervisor Phil Thornton thanked followers for his or her outpouring of concern and assist for Braxton.
“She is resting and recovering. Thanks to your prayers and nicely needs,” he wrote.
Thornton didn’t instantly reply to The Instances’ request for extra data.
Braxton has lengthy been open about her well being. Over time, she has spoken publicly about her vitiligo, her expertise with pulmonary embolism (which prompted her to drop out of “Dancing With the Stars” in 2015) and her struggles with melancholy and nervousness. In 2020, Braxton spoke additionally about how the allegedly poisonous tradition of actuality TV pushed her to aim suicide.
Earlier this yr, Braxton embarked on a solo singing tour, which launched in April in Washington, D.C., and led to Could in Oakland. Braxton was additionally recognized for her time on “Tamar & Vince” together with her ex-husband Vince Herbert, “Superstar Massive Brother” and the syndicated speak present “The Actual.”
