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Home»top»Gina Rinehart Slams ABC Over ‘Violent Torture’ Depiction
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Gina Rinehart Slams ABC Over ‘Violent Torture’ Depiction

dramabreakBy dramabreakAugust 9, 2026No Comments5 Mins Read
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Gina Rinehart Slams ABC Over ‘Violent Torture’ Depiction
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Mining magnate Gina Rinehart has strongly condemned the Australian Broadcasting Corporation (ABC) for broadcasting a segment that her company described as normalizing violent torture against a woman. The national broadcaster issued an apology for a four-minute clip from its program ‘Race Around the World’ that aired in July, which contained graphic and disturbing commentary directed at Rinehart.

ABC’s Apology and Rinehart’s Response

The controversial segment concluded with a voiceover stating: “When the revolution comes, will you hide under the bed or will you know exactly how to shove a stick right up Gina Rinehart’s butthole, stirring it round, mixing her guts up nice and smooth, to make one big sausage roll to make something out of nothing”.

Nearly four weeks after the initial broadcast, ABC Managing Director Hugh Marks issued an apology, stating, “The ABC acknowledges the episode has fallen short of community expectations. The ABC apologises to Mrs Rinehart and to anyone else affected or upset by the publication of the film.”

Hancock Prospecting, Rinehart’s company, had lodged a formal complaint after the episode aired, demanding the removal of the material and a public apology. In response to the ABC’s apology, Hancock Prospecting released a statement asserting that the content “normalised violent torture against a woman… and dehumanised an Australian, such that she was worthless and ok to be sexually tortured.” The company further criticized the ABC Ombudsman’s decision that the ABC had not breached its editorial standards, arguing that this decision “fails all Australian women and the millions of taxpayers who fund the ABC.”

Ombudsman’s Findings and Context

Despite the ABC’s acknowledgment that the episode fell short of community expectations, the Ombudsman’s internal review concluded that the film did not breach the ABC’s editorial policies. The key consideration for the Ombudsman was not solely whether the remarks were offensive or in poor taste, but whether any offense was justified within the program’s context.

The Ombudsman’s report highlighted several factors in its determination: the show’s established format, the filmmaker’s known style, the exaggerated and satirical nature of the piece, the absence of any actual visual violence, and criticism from the program’s judging panel. Based on these elements, the Ombudsman concluded that most viewers would likely not interpret the remarks as a genuine call for, endorsement of, or encouragement of violence.

Filmmaker’s Perspective and Intent

Kate McGuinness, the filmmaker responsible for the segment, also issued an apology. She described the humor employed in her ‘Race Around the World’ films as absurdist rather than literal, emphasizing that “In no way was it my intention to promote violence.” McGuinness characterized her writing style as “cartoonish and always satirical,” adding, “Unfortunately, jokes do not land with everyone. Its purpose was never to be taken literally.”

The film, titled ‘A Very Relaxing Video,’ was created in Scotland. It featured a Scottish “forest warrior ninja” and offered satirical tips on how to “make something out of nothing,” delivered in a deadpan voiceover style.

Political Condemnation

The controversial clip drew criticism from prominent political figures. Deputy Prime Minister Richard Marles described the segment as “completely inappropriate and unacceptable.” He expressed surprise that the video remained accessible on the ABC’s website, even after being referred to the Ombudsman. Greens communications spokeswoman Sarah Hanson-Young also condemned the segment as “disgusting” and called for an apology from the ABC.

Program Changes

In the wake of the controversy, the original film featuring the offending clip has been removed from the ABC’s platform. It is slated to be replaced by an edited version, presumably omitting or altering the segment that sparked widespread outrage and condemnation.

Broader Implications and Community Expectations

The incident has ignited a debate about journalistic standards, the boundaries of satire, and the responsibility of public broadcasters. While the ABC’s internal review found no breach of editorial policy, the public and political outcry underscore a significant disconnect between the broadcaster’s internal assessment and community expectations regarding appropriate content. The involvement of high-profile politicians and the strong reaction from Rinehart’s company highlight the sensitivity surrounding depictions of violence, particularly against women, and the potential for such content to be perceived as dehumanizing, regardless of the creator’s intent.

The case also raises questions about the effectiveness of the ABC’s internal complaints and ombudsman processes. Hancock Prospecting’s assertion that the Ombudsman’s decision “fails all Australian women” points to a broader concern about accountability and the perceived adequacy of the review mechanism when dealing with offensive material. The subsequent decision to remove the film and replace it with an edited version suggests a recognition by the ABC of the need to address these community concerns, even if editorial policies were not technically breached.

Conclusion

The controversy surrounding the ‘Race Around the World’ clip serves as a stark reminder of the scrutiny faced by public broadcasters. While artistic expression and satire have their place, the line between commentary and harmful content can be thin and subjective. The ABC’s handling of the complaint, from the initial broadcast to the eventual apology and program alteration, reflects a complex interplay between editorial independence, community standards, and the powerful impact of public perception. Gina Rinehart’s vocal opposition and the political fallout emphasize the significant consequences that media content can have, particularly when it touches upon themes of violence and dehumanization.

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