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Home»Entertainment»Spaceland orbits again to Silver Lake’s musical heyday
Entertainment

Spaceland orbits again to Silver Lake’s musical heyday

dramabreakBy dramabreakNovember 27, 2025No Comments10 Mins Read
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Spaceland orbits again to Silver Lake’s musical heyday
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Silver Lake earned the “hipster” deal with lengthy earlier than Spaceland opened its doorways. However when the membership threw its first present in March 1995 on the venue previously often known as Desires of L.A., it marked a notable vitality shift that made everybody take discover, establishing the neighborhood as a trendsetter and hub for artistic expertise. The reside music house was the proper concept, in the proper place, on the proper time.

Atmospheric dive bars, funky/punky mom-and-pop outlets and affordable rents started attracting artists, musicians and bohemian slackers and scenesters as residents within the early ’90s. They joined its vibrant queer group and multigenerational familial (principally Latino) populace, which mixed to make it one of many coolest locations to reside in L.A. It nonetheless is, albeit pricier and extra pretentious, when you ask those that grew up there.

However 30 years in the past issues had been completely different — the world was hip, but it surely additionally felt effortlessly eccentric. The annual Sundown Junction Avenue Honest, which closed off Sundown Boulevard between Fountain and Edgecliffe Drive starting within the ’80s, began reserving extra legacy bands and scorching new teams, broadening the cultural consciousness of the town and bringing Angelenos from throughout city to the world till it ceased in 2010.

Silver Lake’s music mecca standing was finally cemented when promoter Mitchell Frank determined to show his weekly reside music evening at Desires referred to as Pan right into a bona fide rock venue, taking what was effervescent within the streets, at home events within the hills and at close by rehearsal areas and offering a singular dwelling for music makers to nurture and develop their followings.

Opening evening marked a profit for quirky noise rockers Lutefisk, who lived within the space and, like many there, rehearsed at Hully Gully on Fletcher Drive. After their tools was stolen, they put collectively a invoice of buzzy native artists to lift funds, together with headliner Beck, who acquired his begin on the artsy coffeehouse referred to as the Onyx subsequent to the Vista Theatre, and afterward Vermont Avenue in Los Feliz Village.

Rob Zabreckyn of Possom Dixon

(Arlen Hem)

The singer’s Mud Brothers produced ’94 debut “Mellow Gold” and its first single, “Loser,” was in heavy rotation on radio and MTV on the time. Coupled with the darkly melodic alt-rock of Possum Dixon as openers, the present was a scorching ticket. As last-minute luck would have it, the evening turned much more monumental with an early present addition — the debut of Dave Grohl’s new challenge referred to as the Foo Fighters.

“It was simply loopy. That evening it was raining and each reveals bought out,” recollects Lutefisk drummer Brandon Jay. “It was that pretty second in time when KBLT began broadcasting and there was a rising scene in Silver Lake when everybody was like, ‘Oh, Silver Lake is the brand new Seattle’ — solely it was extra various.”

Jay, who went on to play with different bands just like the 88 and Gwendolyn and the Good Time Gang, hopes to remind native music followers concerning the seminal scene at the Regent this Saturday, the place Lutefisk reunites alongside Dixon’s Rob Zabrecky (taking part in with varied luminaries from the membership) and Spaceland favorites Touchcandy, the Centimeters, Jon Wahl (Claw Hammer), Sissy Bar, W.A.C.O. and extra.

“This present is as shut as you’re gonna get to an actual ’90s Spaceland evening,” assures Frank. “Touchcandy, Lutefisk, Centimeters, Rob from Possum Dixon and Sissy Bar … that is the precise type of stunning symphonic chaos that outlined that ’90s period. Nights like this are what propelled a fractured Eastside music scene into turning into a full-fledged scene.”

Certainly, gathering disparate genres, types and niches in a single place was what made this scene distinctive. “There have been so many great, eclectic bands,” Jay provides. “A bunch acquired signed, however you understand, fame is a fickle factor, and also you by no means know what may get performed on the radio.”

A lot who performed on the membership did. Along with Beck and the Foos, native acts who broke after taking part in there embody Silversun Pickups (named after a close-by liquor retailer), Rilo Kiley and the Airborne Poisonous Occasion, whereas touring indie artists additionally earned their stripes in entrance of the mylar curtain-backdropped stage, specifically the White Stripes, Arcade Fireplace, Arctic Monkeys, Jet, Ween, Chilly Conflict Children, Demise Cab for Cutie, Amy Winehouse … and the checklist goes on and on.

“There was a time limit the place bands had been coming by means of city on tour and taking part in L.A. for the primary time and their brokers all needed them to play Spaceland’s Monday residency,” remembers former head booker Jennifer Tefft of the no-cover occasion, which turned legendary by the early 2000s. “They performed free of charge, but it surely allowed them to be seen. Everybody needed to play there and never simply on a neighborhood stage, however on a world stage. NME within the U.Ok. had been giving the membership a lot press, so all these bands needed to return to L.A. for it … Bloc Get together, the Killers and My Morning Jacket all made their debuts on the membership.”

Tefft went on to e book the Bootleg Theater, however later returned to work with the constructing’s proprietor, Jeff Wolfram, to breathe new life into the Silver Lake house below the identify the Satellite tv for pc. It closed on account of pandemic struggles in March 2020 and stays shuttered. In the meantime, Frank, together with booker Liz Garo, left the venue — which was technically nonetheless referred to as Desires, to give attention to his new house, the Echo and its later addition, the Echoplex.

He bought the Echo Park advanced, together with the Regent, to Stay Nation in 2019, however nonetheless stays concerned in reserving and different membership enterprise dealings. All three figures deserve credit score for the cosmic alchemy and group spirit that made Spaceland and the world it created so game-changing. They actually cared concerning the individuals who performed there and would typically champion their favorites and assist construct their followings by means of promotion and promoting, specifically within the free print version of LA Weekly.

“All of us had the identical form of ardour and curiosity about music and supporting locals,” shares Garo, who booked at Spaceland when Tefft left, and actually made her identify on the Echo. “I feel that’s why it saved that integrity.”

There isn’t any scarcity of fond, barely fuzzy reminiscences at Spaceland. There have been additionally many video games of pool of their notorious upper-level smoking room (which puffed on even after the ’98 bar smoking ban on account of a loophole).

Free Monday promotions had been nothing new — Membership Lingerie in Hollywood had been doing them for years — however Spaceland’s had been magical for each the bands and the followers due to the monthlong residency mannequin. Moreover being budget-friendly and clearly well-curated, boasting up-and-comers and providing big-name surprises, it was a spot to satisfy like-minded various varieties who fancied the identical fashions, artwork and popular culture references.

Many of the native musicians who performed there appeared to know one another merely from hanging out a lot and people who proved themselves on stage had been rewarded with new followings that acquired larger every week.

The Centimeters perform at Spaceland

The Centimeters carry out at Spaceland

(Wild Don Lewis)

“Jen had a extremely good formulation — you’d do your residency, then you wouldn’t do one other present for six weeks or so, and then you definitely’d come again and do a ticketed present,” Garo explains. “Ideally that labored and type of helped set up that bands might promote tickets. You understand, when bands begin off, they’re taking part in to their buddies within the viewers. After they get to that time the place they don’t know anyone within the viewers, that’s type of a giant deal.”

Past publicity and native notoriety, for Zabrecky, Jay and numerous musicians who had residencies — lots of whom will probably be seeing one another for the primary time in years on the Regent present — Spaceland was formative not just for their music but additionally for his or her life trajectories.

“Taking part in Spaceland with Possum Dixon was all the time unpredictable,” recollects Zabrecky, who went on to grow to be a revered magician and performer. “We by no means knew which route a present may go. Each band was completely different, but everybody was accepted and celebrated for what they had been. Teams like Glue, Spindle, W.A.C.O. and the Abe Lincoln Story couldn’t have been extra completely different from one another, and that made each lineup thrilling. And, after all, we had been all simply making it up as we went alongside, buoyed by the help of our friends.”

The transitional interval between Spaceland and the Satellite tv for pc is marked by the band who helped put it on the map and unintentionally kicked off the fervor to start with. The Foo Fighters selected the locale for his or her collection of shock pop-up reveals debuting new materials in 2011, proper earlier than the venue was renamed.

The subsequent 12 months, Forbes dubbed Silver Lake “America’s Hippest Hipster Neighborhood,” which meant it was now not … that. American Attire shops had infiltrated, company espresso was in every single place and artists had been getting priced out, heading East into Echo Park, Mt. Washington, Highland Park and downtown too, with lots of the bars and golf equipment in these areas looking for to seize the previous Spaceland vibes. They nonetheless do.

Brian Wilson onstage with the Wondermints at Spaceland

Brian Wilson onstage with the Wondermints at Spaceland

(Courtesy of Brandon Jay)

On this approach, Spaceland’s legacy has lasted past Gen X nostalgia for the nice previous days. Impressed by the fervent framework for music discovery and social connection of the previous, new bands now showcase their stuff on the Echo, Regent, Zebulon, Redwood Bar and lots of extra, eschewing Hollywood and the Sundown Strip for extra laid-back environments.

Frank continues to lend his experience to Stay Nation; Garo is planning occasions and dealing with venues, from acoustic units at her e book store Tales in Echo Park to her just-announced gig reserving for Grand Performances downtown; and Jay, who misplaced his dwelling within the California wildfires, turned the tragedy into a gorgeous music alternate program referred to as Altadena Musicians. He’s additionally concerned in a brand new all-ages music venue referred to as the Yard Get together in Pasadena, noting {that a} new technology of art-minded music rebels continues to thrive similar to they did at Spaceland three a long time in the past.

Jay can also be serving to with the Regent present planning, and put within the name to Touchcandy’s David Willis, who’ll be flying into city from the U.Ok. only for the present. Phrase has additionally been put out to Beck and Grohl (although no commitments have been made), and the pirate radio station KBLT, whose documentary “40 Watts from Nowhere” counts Jay and Jack Black as producers, will supply units from its deejays in between the reside sounds.

The lineup listed on the occasion flier is supposed to evoke the unique profit promo from ’95, and it represents the magnificent music combine all by itself, flashing again to an thrilling period that L.A. music lovers who skilled it is going to always remember, a time when the scene was “younger and free,” as Zabrecky remembers, and people fortunate sufficient to be on the marquee performed what he dubs “the very best membership at the very best second on Earth.”

“These bands had been messy, loud, indie, actual and by some means nonetheless revolutionary,” Frank provides of the thirtieth anniversary present, which is being touted as a Vol. 1, suggesting extra to return. “Exhibits like this are the explanation any of it mattered.”

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