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Home»Entertainment»‘The Pocket book’ assessment: A musical transformation of kinds
Entertainment

‘The Pocket book’ assessment: A musical transformation of kinds

dramabreakBy dramabreakJanuary 9, 2026No Comments6 Mins Read
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‘The Pocket book’ assessment: A musical transformation of kinds
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The issue with musicals spun from standard books and films is that too typically all they’re making an attempt to do is re-create the expertise of followers in a brand new medium. The result’s an inferior copy of the unique. However what can anybody anticipate when the last word aim is to money in on a worthwhile IP?

The creative problem, after all, is transformation, not cloning. A musical operates in a unique mode from a literary or cinematic work and due to this fact can’t assist however inform a singular model of the story.

I didn’t see “The Pocket book” when it premiered on Broadway in 2024 to blended opinions. I additionally confess to by no means having learn Nicholas Sparks’ bestselling novel, on which the musical is predicated. And solely just lately did I meet up with Nick Cassavetes’ 2004 movie starring Ryan Gosling and Rachel McAdams, after which I have to admit solely to organize for the musical’s Los Angeles premiere on the Hollywood Pantages Theatre.

With Gosling and McAdams in fascinating flight on display screen, it’s simple to purchase into the mythic love of Noah and Allie, the couple on the middle of the shameless and (sure, I’ll admit it) shamelessly fulfilling romantic fantasy. Gosling has a means of retreating right into a silence extra emotionally eloquent than the movie’s often clunky dialogue. McAdams, against this, makes a giddy racket that betrays emotions her characters can neither totally perceive nor include.

Beau Gravitte (Older Noah) and Sharon Catherine Brown (Older Allie).

(Roger Mastroianni)

I wasn’t anticipating the actors solid in these roles on the Pantages, the place the musical opened Wednesday, to check in magnetism or depth to their film star predecessors. Thankfully, the way in which the musical is written by Ingrid Michaelson (music and lyrics) and Bekah Brunstetter (e book), they don’t actually should.

Three actors play Noah and three play Allie at totally different instances within the couple’s lives. Youthful Noah (Kyle Mangold) and youthful Allie (Chloë Cheers) are the youngsters who fall heedlessly in love regardless of the variations of their background. Allie’s rich dad and mom (performed by a piquant Anne Tolpegin and Jerome Harmann-Hardeman) don’t need their college-bound daughter to throw her life away on a lumberyard Romeo with no academic or monetary prospects.

Center Noah (the position was performed by Jesse Corbin on the reviewed efficiency) and center Allie (Alysha Deslorieux) reunite after years of separation to see if their adolescent ardour nonetheless burns. Allie is on the point of marrying one other man, however she returns to seek out Noah residing within the historic home that he promised in the future could be their dwelling. He’s restored the place within the hope that she would come again to him, doubling the stakes with a stunning piece of actual property that she will be able to no extra resist than his dreamy devotion.

The precise relationship between Older Noah (Beau Gravitte) and Older Allie (Sharon Catherine Brown) is withheld for a bit. Allie, affected by dementia, is in a care middle. Noah, who has his personal well being points, visits her to learn from a pocket book the story that she set down on paper to forestall her from forgetting the love that illuminated her life. He believes that what’s recorded within the pocket book will convey her again to him, if solely flickeringly, earlier than time runs out for each of them.

As Noah reads to Allie, their youthful selves emerge on stage to enact the depicted scenes. The musical’s dealing with of the romance is condensed within the early going. The youthful variations of Noah and Allie, callow and skittish, are specified by broad strokes. Mangold has a showy falsetto that heightens Noah’s weak longing, however the duets with Cheers’ Allie aren’t lyrically refined sufficient to supply the connection with a lot depth.

There’s a generic high quality each to singer-songwriter Michaelson’s rating (a mix of folks and Broadway pop) and to a romance that appears virtually mystically predestined.

Corbin’s Noah is the robust, silent, attractive sort; Deslorieux’s Allie is as delicate as she is willful. One hopes that they may make the proper alternative and select one another, however lyrics resembling “Typically I really feel like I misplaced my solely voice./However then I spotted, solely I can select my alternative” don’t give Deslorieux all that a lot to work with within the huge second act quantity “My Days.”

Sharon Catherine Brown (Older Allie) and "The Notebook" North American tour company.

Sharon Catherine Brown (Older Allie) and “The Pocket book” North American tour firm.

(Roger Mastroianni)

The connection between Center Noah and Center Allie is steamy, typically comically so, as when Allie caresses the desk that Noah admits he made by hand. Their love scene within the rain, whereas clearly much less visually spectacular than within the movie, plunges headlong into romantic cliches that handle to get the job finished regardless of their obviousness.

The route of Michael Greif and Schele Williams valiantly tries to include the fabric’s hokiness with out undercutting the wishfulness that lies on the coronary heart of the story’s broad emotional attraction. They reach limiting the quantity of viewers eye-rolling, however they’ll’t provide the feel and novelty which are absent from the musical.

The one notable space of enchancment on the film is within the dealing with of the older Noah and Allie storyline. Brunstetter (a profitable TV author whose hot-topic play “The Cake” made the rounds a couple of years in the past) mitigates among the sentimental excesses that fly within the face of medical actuality.

Not all of the adjustments are to the musical’s benefit. The setting is now a coastal city within the Mid-Atlantic the place the movie has a extra specific Southern allure. The interval, too, has been revised. Noah now serves within the Vietnam Warfare as an alternative of World Warfare II. These historic alterations might have been to permit for cross-racial casting. However the characters don’t actually appear rooted to any specific time and place. They’ve simply been re-slotted right into a Broadway limbo.

However the musical does handle to tug off one real transformation. The authors have structured the work as a triple helix, and among the strongest moments happen when all three incarnations of the characters are on stage on the similar time.

“The Pocket book” on display screen injected new life right into a formulaic love story. Brunstetter and Michaelson refocus the work to be extra about time. The bond between Noah and Allie is a prism via which to expertise each the transience and the permanence of what issues most to us in life. Within the face of disappearance, one thing mysterious endures.

‘The Pocket book’

The place: Hollywood Pantages Theatre, 6233 Hollywood Blvd., L.A.

When: 7:30 p.m. Tuesdays-Thursdays; 8 p.m. Fridays; 2 and eight p.m. Saturdays; 1 and 6:30 p.m. Sundays. (Examine schedule for exceptions.) Ends Jan. 25.

Tickets: Begin at $57 (topic to vary)

Contact: BroadwayInHollywood.com or Ticketmaster.com

Operating time: 2 hours, 20 minutes (together with one intermission)

The manufacturing additionally runs Jan. 27-Feb. 8, Segerstrom Middle for the Arts, 300 City Middle Drive, Costa Mesa. scfta.org

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