A groundbreaking new performance, titled RISE, has premiered on the NSW South Coast, offering a unique artistic experience that harnesses the power of natural light. Eschewing traditional theatre settings, this contemporary dance work unfolds outdoors, illuminated solely by the dawn sun.
A Vision Born from Darkness and Light
Daniel Riley, the first Indigenous artistic director of the Australian Dance Theatre, is known for his appreciation of early mornings. However, recent societal shifts, including a divisive referendum and challenging public discourse surrounding Indigenous cultural practices, prompted a profound artistic re-evaluation. Riley found himself contemplating the symbolism of darkness and its potential to inspire.
“I just had this idea. What if we presented a work [where] the theatre curtain was actually the sun rising?” Riley explained. This concept materialized into RISE, a performance that replaces elaborate stage design and artificial lighting with the natural rhythm of a sunrise.
“Nothing will ever equate to the beauty of watching people perform barefoot on Country, our oldest living theatres,” Riley stated, emphasizing the profound connection to the land inherent in the work.
World Premiere at Bundanon
The world premiere of RISE took place on Saturday at Bundanon, a significant arts precinct situated on the NSW South Coast. Nestled within 1,000 hectares of natural reserve, Bundanon was established by philanthropists Arthur and Yvonne Boyd, who gifted the site to the nation in 1993.
Under the direction of Riley and co-choreographer Brianna Kell, the performance commenced with a Welcome to Country from First Nations elders, who shared a song or story. As the sun began its ascent, the dancers initiated their performance, concluding as the morning light fully broke.
Streamlined Touring for a New Era
Riley highlighted the innovative approach to touring that RISE enables. “With touring traditionally, we need a theatre, we need a production crew, we need lighting, we need sets, we need everything that goes into putting a work into a venue,” he noted. “The touring of RISE involves people, that’s it.” The focus shifts from logistical requirements to cultivating relationships with traditional owners, community members, and local dance schools.
As part of the lead-up to the performance, the Australian Dance Theatre conducted a workshop with the Dhaawarii Dance Group at Vincentia High School. This group comprises 20 students who study and perform First Nations traditional dances under the guidance of Aboriginal language teacher Jonathan Hill.
Hill remarked on the positive impact of the experience, stating, “The kids were allowed to ask questions about how to become a professional dancer, what’s involved, and how much training is required.” He added, “I think it just showed them that there is a pathway.””
Ancient Connections and Contemporary Relevance
The name Bundanon, meaning “deep gully” in the Dharawal language, reflects the traditional custodians of the area, the Wodi Wodi people. For Yuin elder and director of the Bundanon Trust, Uncle Gerry Moore, the concept behind RISE resonates with ancient Indigenous practices.
“It was common for [Yuin] people to be walking from anywhere, from La Perouse down through the Illawarra and Shoalhaven, to right down the coast and across the [Victorian] border,” Uncle Gerry explained. “And during that time, our people would be trading, even if it was songs and tools, weapons, and stories.” He expressed his appreciation for the revival of these practices, noting, “It’s just really great to see this being revived, not just for our mob but for everyone. To see what existed where this practice was normal.””
Having previously served as CEO of the NSW Aboriginal Legal Service, Uncle Gerry is acutely aware of the challenges faced by First Nations communities. Despite ongoing issues, such as PFAS contamination affecting the Wreck Bay community, he maintains an optimistic outlook.
“I guess the good thing is, not everyone’s a racist,” he said. “The big thing for me is talking to people, getting them to understand about Aboriginal people, Aboriginal culture, [and] the past. I believe that truth-telling is something that will help and guide that process.””
Gathering in the Morning Light
Following the performance, both performers and audience members are invited to share breakfast together in the morning light. Riley views this communal meal as another vital element in fostering connection.
“I think post the unsuccessful Voice to Parliament referendum … it’s really important that we find places of gathering,” Riley commented. “Somewhere meaningful where we all arrive with an open heart and a generosity to connect.””
The premiere at Bundanon was attended by 90 people. Plans are underway to tour RISE across Australia in 2027 and 2028, with the potential to reach remote locations as needed.
